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Tibetan Buddhist art is a rich and intricate tradition that has evolved over the centuries. It is known for its elaborate iconography and symbolism, which is deeply rooted in the teachings of Buddhism. Tibetan Buddhist art includes a wide range of media, such as thangkas (scroll paintings), sculptures, mandalas, prayer wheels, and frescoes. The origins of Tibetan Buddhist art can be traced back to the 7th century, when Buddhism was first introduced to Tibet. Initially, Tibetan art was heavily influenced by Indian and Nepalese styles. However, over time, Tibetan artists developed their own unique style, which incorporated elements from other...

Japanese woodblock printing, also known as ukiyo-e, is a traditional form of art that has been practiced in Japan for centuries. It involves the use of woodblocks to create prints of various images, including landscapes, portraits, and scenes from everyday life. The process of creating Japanese woodblock prints begins with the artist sketching the design onto a thin sheet of paper. This sheet of paper is then glued face-down onto a wooden block, which is usually made of cherry wood. The artist then carves the design into the block using sharp tools, creating a raised surface that will eventually become...

Japanese hanging scrolls, also known as kakejiku, are a traditional form of art that has been practiced in Japan for centuries. These scrolls are designed to be hung on the wall and are typically made up of a piece of cloth or paper with a painting or calligraphy inscription on it. Hanging scrolls have a long history in Japan, dating back to the Nara period (710-794). During this time, Chinese influence on Japan was strong, and hanging scrolls were introduced to Japan as a way to display Chinese calligraphy and paintings. Over time, Japanese artists began to develop their own...

Thangka is a Tibetan word used to define scroll painting works designed to be portable and, when not in use, rolled up. The word "thangka" means "thing that one unrolls". The drawing, made with minerals and pigments, is generally applied to the surface of prepared cotton cloth or, more rarely, on silk. The subject of the thangkas could be religious or secular and it is generally divided in three categories: figurative, narrative and diagrammatic. Figurative subjects can be both non-iconic and iconic. Non iconic figures are mainly subjects of the Foundational and Mahayana Buddhism narrative and they can be represented...